Florida » Crystal Beach

here are the details (and order) of the cameras and exposure settings used for the star-lapse shots in this video:

2014.10.25 Crystal Beach
– Canon 5D with Sigma 12-24mm Lens, 30 sec @ f/4.5, ISO 3200, zoom at 12mm
– GoPro Hero4 Silver, 30 sec @ f/2.8, ISO 800

2014.10.27 R.E. Olds Park, Oldsmar
– GoPro Hero4 Silver, 30 sec @ f/2.8, ISO 800
– GoPro Hero4 Silver, 5 sec @ f/2.8, ISO 800
(followed by walking + driving at same 5 second exposure)

2014.11.02 Crystal Beach
– Canon 5D with Sigma 12-24mm Lens, 30 sec @ f/4.5, ISO 3200, zoom at 12mm
– Sony NEX-5N with Sony 16mm Pancake Lens with VCL-ECU1 Ultra Wide 0.75x Converter, 30 sec @ f/2.8, ISO 1600
– Canon 5D with Sigma 8mm Circular Fisheye Lens, 30 sec @ f/3.5, ISO 3200
– GoPro Hero4 Silver, 30 sec @ f/2.8, ISO 800

2014.11.03 Indian Rocks Beach
– Canon 5D with Sigma 12-24mm Lens, 30 sec @ f/4.5, ISO 3200, zoom at 12mm
– Canon 5D with Sigma 12-24mm Lens, 30 sec @ f/4.5, ISO 1600, zoom at 12mm
– Canon 5D with Sigma 8mm Circular Fisheye Lens, 30 sec @ f/3.5, ISO 1600
– Sony NEX-5N with Sony 16mm Pancake Lens with VCL-ECU1 Ultra Wide 0.75x Converter, 30 sec @ f/2.8, ISO 800
– GoPro Hero4 Silver, 30 sec @ f/2.8, ISO 800

2014.11.04 Trinity (car on unfinished street)
– Canon 5D with Sigma 12-24mm Lens, 30 sec @ f/4.5, ISO 1600, zoom at 12mm
– Canon 5D with Sigma 8mm Circular Fisheye Lens, 30 sec @ f/3.5, ISO 1600
– Sony NEX-5N with Sony 16mm Pancake Lens with VCL-ECU1 Ultra Wide 0.75x Converter, 30 sec @ f/2.8, ISO 400
– GoPro Hero4 Silver, 30 sec @ f/2.8, ISO 800

2014.11.07 Crystal Beach
– Canon 5D with Canon 35/2 Lens, 30 sec @ f/2, ISO 800
– Canon 5D with Canon 35/2 Lens, 30 sec @ f/2, ISO 400
– Sony NEX-5N with Nikon 20/2.8 Lens (via LensBaby Tilt Transformer adapter), 30 sec @ f/2.8, ISO 1600
– Sony NEX-5N with Nikon 20/2.8 Lens (via LensBaby Tilt Transformer adapter), 30 sec @ f/2.8, ISO 800

2014.11.09 Crystal Beach
– Canon 5D with Canon 35/2 Lens, 30 sec @ f/2, ISO 1600
– Sony NEX-5N with Nikon 20/2.8 Lens (via LensBaby Tilt Transformer adapter), 30 sec @ f/2.8, ISO 3200

2014.11.10 Clearwater Beach
– Canon 5D with Canon 35/2 Lens, 30 sec @ f/2, ISO 800
– Sony NEX-5N with Nikon 20/2.8 Lens (via LensBaby Tilt Transformer adapter), 30 sec @ f/2.8, ISO 1600

i shot these over a year and a half ago so i don’t remember all the exact details.. (and i didn’t include details above for all of the few frames / quick shots between the longer starlapse shots.. this isn’t meant to be the most scientific test as i have made some quick adjustments to the images in lightroom too) i think i first started these tests to explore how well the new gopro camera would perform with its nightlapse mode compared to my then current setup for ultra-wide angle night shots with the 12-24mm lens. (all the gopro shots have been ‘defished’ in lightroom as this is how i would process them and this could possibly replace the 12-24mm setup) i think i was thinking that when i travel, it’d be neat to be able to shoot everything with the gopro camera rather than have to bring multiple camera systems (especially as the gopro can be charged and run off of usb power, and the life on the road videos i was working on back then were taking a very long time to edit having been shot with multiple cameras). then i probably became curious as to how the 5d setup would compare to the nex-5n for night shots, and also tried the 5d with the 8mm lens as depending on how that looked, i could sell the 12-24mm and begin to reduce the amount of gear i had if i were to defish the circular fisheye image (which i didn’t do in this video) and effectively use that as an ultra-wide angle lens. after doing these tests, i decided to compare the 35/2 and the 20/2.8 with both cameras as these would give a similar field of view with the full frame vs cropped aps-c size sensor.

a few weeks later, after seeing that i don’t necessarily need all of this gear that i had to make certain shots, i sold most of my canon gear except i kept one 5d body with the 8mm lens as i could still use this with a custom rig i had to create little planet images and time-lapses (i had the first ricoh theta camera back then though the quality was nowhere near what my custom setup could do and it couldn’t shoot at night). nearly a year later, toward the end of the summer of 2015, i ended up selling the whole 360 degree rig, including the camera, lens, motor, custom head, and tripod mounting components. it was nice to get rid of so much extra weight that was just sitting here taking up space. i can’t remember the last time i had used the rig and shot something before that. the last time i used the 8mm was to shoot these tests and i only used the 5d one other time after the tests to shoot a few pinhole images. shortly after selling the gear for the 360 degree rig, ricoh announced the latest theta s camera that would be able to shoot night shots. gotta love divine guidance! :) perfect timing on selling the gear. the theta s camera is so, so much simpler to use than my old setup. my old setup could’ve gotten some more detail but the tradeoff for being able to use a camera that weighs next to nothing and fits in my pocket versus having to lug around many pounds of gear plus large and heavy tripods or stands to mount it is definitely worth it. i can shoot so many more images having less gear to carry, and i can go much further with less and mount a smaller camera in many more unique places. to be able to shoot a single elevated 360×180 degree image, i’d be looking at 45-50 lbs of gear i’d have to carry with the old rig compared to less than 2 lbs with the new setup (and i can hold the new pole i use above my head for a higher vantage point than the large light stand i used to lug around). simplify your gear. (and your life) it takes away the burden so you can focus your time and energy on creating images and embracing the moment rather than carrying and keeping track of things.

a view from the camera 25 feet in the air.. funny the attention it draws.. looks like I’ll have to arrive early so I can level the stand better next time! [it was a little windy hence the jerkiness in the rotation, though it does give an interesting effect.. note the camera strap near the beginning!]  

Another experiment with a daylight long exposure time-lapse.. exposures easily get into minutes after the sun drops! A couple other more ‘normal’ time-lapses..